Rhea
1982
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In Rhea (1982) Askevold elaborates on his interest in allusion and implication using images that seem to be fragments of a larger narrative to suggest rather than tell a story. This piece consists of a series of close-up shots of numerous people each stating a name or phrase. The shots gesture towards the type of staged reaction shot often used in soap operas or made-for-TV movies interrupting the linearity of the story.
CANYON
